Audio Lists: less back-and-forth. More “that’s the one.”
The handoff is part of the creative process. Now the person opening your audio List gets more than a stack of files.
You’ve got the selection ready. The beats for a sync brief. The mixes for a release. The podcast cuts that need another set of ears. Then comes the familiar message: “Give these a listen and let me know.”
But which recording did they mean? What made the cut? And where did that feedback go?
This update makes audio Lists a better place to land. Recipients can hear the selection, check its details, pick their favorites, and send a private review from the same page. Less chasing a reply. More getting to the next version.
01 / AUDIO LISTS
A proper home for the handoff
The first thing a recipient sees should answer a simple question: “What am I listening to?” Artwork, a title, your description, and the recording count put the selection in context before anyone presses play.
The audio stays front and center, with durations and available BPM or key information alongside it. A music supervisor can scan a pitch. An artist can compare beats. A podcast producer can review the cuts for a show. One focused selection, not your entire audio library.
02 / AUDIO LISTS
“That one.” Now there’s a button for it.
Sometimes the most useful feedback is simply knowing what landed. Recipients can bookmark recordings as they listen, then switch to the Shortlist view to hear only their picks.
Those picks appear beside their review, so “the second one with that groove” becomes a named recording. The shortlist is part of the response they send—not a change to your original audio List.
03 / AUDIO LISTS
Feedback without the group-chat noise
The new review panel keeps the response close to the audio. A recipient adds their name, includes a note if they want, and sends their shortlist and thoughts together.
Reviews go privately to the person who shared the audio. They aren’t a public comment thread, and recipients don’t edit your selection.
Want the instrumentals next? Prefer the earlier mix? Need a shorter intro for the episode? That context can travel with the actual picks instead of getting lost in another message.
Owners can find responses under Received reviews on their audio List. Catalog also adds per-recording feedback and Interested / Pass decisions when the sharing owner has access.
04 / AUDIO LISTS
Keep the useful details in the mix
A great recording still needs context. The details menu puts available descriptions, tags, BPM, key, and professional metadata beside each recording.
If you’ve added ISRC, UPC, publisher information or writer splits, recipients can check those details without a separate spreadsheet. Missing fields stay out of the way.
This is a read-only view. You keep control of the source audio and metadata; recipients get the information they need to review it.
05 / AUDIO LISTS
Share the selection. Not the keys to the studio.
Sending a link shouldn’t mean opening your whole workspace. A shared audio List shows the selected audio—not the rest of your audio library, private Boards, or internal file locations.
Choose whether the link requires an account. Password protection and link expiry are available on eligible plans. The audio List’s download setting is separate, so you can decide whether the recipient can take the files away.
Reviewing isn’t workspace editing. A recipient can send their picks and notes without changing your source recordings or joining a Board. And private feedback stays with the sharing owner.
Download controls manage the downloads offered by WavBin; they aren’t a promise that playable audio cannot be recorded elsewhere.
06 / AUDIO LISTS
From first listen to the next move
Audio Lists are for the first listen, the selection, and the response. When it’s time to coordinate people, deadlines and deliverables, keep the next stage in a Board. The review gives you a clearer starting point; it doesn’t turn every listen into project management.
We also tidied up the sharing prompt for both recordings and audio Lists. Copy, refresh and open-link actions now sit together, with the link on its own row. No stray icon doing a solo on desktop—and no cramped row on your phone.
Put together your next pitch, mix review or episode selection. Add a little context. Send the link. Let the good stuff rise to the top.
Open audio ListsMade for the people on both sides of the play button. — The WavBin team